德國當代藝術家作品（轉載）

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我有機會見到與德國藝術Herakut星期三下午,檢查出一些令人驚異的installation-in-progress在他們在美國的首場表演開啟這個星期六晚上在卡米歇爾畫廊在好萊塢。

有才華的藝術家都在他們自己的權力,茉莉花Siddiqui(赫拉克萊曼(Akut)和所述方式,他們的工作就像談話的照片,如一個賽季開始的時候,另一張來完成。我很高興能抓住這個工作程序,因為這對夫婦油漆一層超過另一個,那篇文章會完全改變五或六次作為一個工作掩蓋過去。從眼前的世界中獲得靈感在他們面前的影響,反映出了溫暖的調色盤的日落色調的冷感,希臘人在德國一早上,和人物可以包括從家裡養的狗,任何外來的徘徊在這個奇怪的好萊塢大道從洛杉磯布萊德。

Herakut出生在這個世界上的街頭藝術和塗鴉節日還是設施以及後面的大街小巷的地方城市旅遊的人來說,他們究竟在哪兒。他們告訴我他們想把一塊牆在大壁畫在威尼斯海灘,如果你有相關的資訊和誰去談確信,貼在評論部分。

這條街遺產設定所轉譯到畫廊的繪畫Herakut有時離開畫布直走到牆上。這給了這樣的感覺,如果有人沒有滑一幅油畫在他們面前的整個塊會在牆上並會有什麼給顧客帶回家。”我討厭白色空間,“承認”,並且Siddiqui帆布其實是一個小面積為噴漆。我就象一堵牆,因為我可以使用廣泛的中風”這是明顯的,因為她站起來的紙板剪(後跳轉),這是將近10英尺高。

Herakut的風格包含一個混合的鬆散的行工作,拼貼,寧願讓人印象深刻的照片。”德國人喜歡噴塗達達,我們愛的是“說Siddiqui切東西。如果這跟對話以圖片主意,這樣看來,你可以切碎段落和重新排列sentances之前去列印。

如果你去展示你毫無疑問地成為我們的驚奇地照片真實度的技術,萊曼在字面上寫了這本書。在馬'Claim塗鴉:精選照片(如下所示),萊曼說了他的過程中一步一步的細節。在大部分的情況下,我們認為照片寫實繪畫可能錯過了這一點,因為它不禁問道,“為什麼不只是照片嗎?”但Herakut需要進一步地通過增加線、顏色和紋理常見的美術繪畫真正使他們工作分開。

如果你有興趣在公演那晚抓住了顯示你能做的只有開放的回覆(4.12接待這個星期六),為更多的資訊Herakut,看看他們的網站在這裡

I got a chance to meet up with German art duo Herakut Wednesdayafternoon to check out some amazing installation-in-progress beforetheir American debut show opening this Saturday night at theCarmichael Gallery in Hollywood.
Both talented artists in their own right, Jasmine Siddiqui (Hera)and Falk Lehmann (Akut) referred to they way they work as aconversation in pictures, as one starts a piece that the other willfinish. I was excited to catch this work in progress, because asthe couple paints one layer over another, the piece may changecompletely five or six times as one work covers up the last. Takinginspiration from the immediate world in front of them influencescolor palettes that reflect the warm tints of a sunset in Greece,the cold feeling of a German morning, and characters could includeanyone from the family dog to the odd Hollywood denizens wanderingin off of La Brea Boulevard.

Herakut was born in the world of street art and still doesinstallations at graffiti festivals as well as the back alleys oflocal cities they where ever they travel. They told me they want toput a piece on the big mural wall in Venice beach, if you have infoon who to talk to be sure and post it in the commentssection.
This street heritage translates into the gallery setting asHerakut’s paintings sometimes move from the canvas straight on tothe wall. It gave the feeling that if someone hadn’t slid a canvasin front of them the entire piece would be on the wall and there’dbe nothing for patrons to take home. “I hate white space,”confesses Siddiqui, “and the canvas is actually a small area forspray paint. I like a wall because I can use broad strokes”This ismade apparent as she stands up a cardboard cut out (after the jump)that is nearly ten feet tall.

Herakut’s style involves a mix of loose line work, collage, andrather impressive photorealistic spray painting. “Germans loveDada, we love cutting things up” says Siddiqui. If this follows theconversation with pictures idea, it would appear that you can cutup a paragraph and rearrange the sentances before going toprint.

If you go the show you will no doubt be as amazed as we were by thephoto realistic technique that Lehmann literally wrote the book the Ma’Claim: Finest Photorealistic Graffiti (shown below),Lehmann explains his process in step by step detail. In most caseswe think photo realistic painting might miss the point, because itbegs the question, “why not just photograph it?” But Herakut takesit a step further by adding line, color, and texture more common tofine art painting which truly sets their work apart.

If you’re interested in catching the show on opening night you canRSVP for the guest-list only opening receptionthis Saturday (4.12), for more info on Herakut, check out theirsite here.