Rica Bando石版畫作品

哥斯大黎加阪東出生於日本東京，搬到紐約市於1984年，曾就讀平版印刷在紐約藝術學生聯盟和雕刻在藝術的紐約科學院。Currently, she is working in a studio located inDumbo, Brooklyn.目前，她是工作在位於小飛象，布魯克林的工作室。 Her work has been exhibited in solo and groupshows in the United States and inJapan.她的作品曾在獨奏和群展，在美國和日本。 Collections of her work are held at The New YorkPublic Library, the Hunterdon Museum of Art, andothers.她的作品集合舉行的紐約公共圖書館，藝術博物館亨特，和其他人。 She is a member of The Society of AmericanGraphic Artists她是美國圖形藝術家協會會員

Statement宣告

I am aprinter specially for thelithography.我是一個印表機專為平版印刷。

Lithography is a 200 year old printing technique,invented in Germany.光刻是一個200年曆史的印刷技術，發明於德國。Unlikethe etching or engraving on metal plates, it is a planographicprinting process based on the resistance of water togrease.不像在金屬板的蝕刻或雕刻，這是基於水至油脂的阻力的平版印刷工藝。 An image is drawn on limestone or an aluminumplate with a greasy substance, such as a crayon orink.一個影象被描繪在石灰石或鋁板與油膩物質，例如蠟筆或墨水。 Then etched with acid to make stabilize theimage.然後經酸浸蝕，使穩定的影象。 After dampening the surface with water, printingink adheres only on the imagearea.潤溼的表面與水後，油墨附著只在影象區域。 When the matrix is run through a press with asheet of paper, the inked surface istransferred.當矩陣是通過按與一張紙執行時，著墨表面被傳送。

Thefluid, spontaneous strokes that appear in lithography because ofthe grain of stones or aluminumplates.出現因結石或鋁板的糧食光刻中的流體，自發招。 Unfortunately, to the printer, always morerespect on printingtechnique.不幸的是，到印表機，在印刷技術總是更多的尊重。

Iconjecture that beyond technique, however, the successful work ofart will be a fortuitous marriage of idea, image, andprocess.我推測，超越技術，然而，藝術的成功的工作將是一個偶然結婚的想法，影像和流程。

My worksare most of representational as a frozen land scape or the viewbeyond window with raindrops.我的作品是最代表性的凍結土地景觀或超出視窗檢視與雨滴。 Some are abstractions for contemplative immersionto studies of refractory patterns of city lights atnight.有些是抽象的沉思沉浸到的城市的燈光在夜間耐火材料模式研究。

Eitherabstract or representational, I aim to depict the atmosphere of theconfined space, naturally composed and naturally existing objectsin myworks.無論是抽象或具象，我的目標是描繪密閉空間的氣氛，自然地組成並在我的作品中自然存在的物體。

It is amost important for my works, because I hope that my works willbecome a window of healing to calm one'smind.這是我的作品中最重要的，因為我希望我的作品會成為醫治的視窗平息一個人的心靈。

June2005 2005年6月

夢想與現實之間的磨合讓我讀懂很多生活的語言，風雖改變了方向，卻沒有改變我的行程-----

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