REN ADAMS版畫藝術作品

南加州的當地人， 任ADAMS 一直致力於視覺藝術為超過20年，並強調繪畫和版畫。 Her work combines traditional and emergingtechniques in printmaking, painting and digital art with aninsatiable desire to document the interconnection of allthings. 她的作品結合了版畫，油畫和數字藝術與貪記錄萬物互連傳統的和新興的技術

作為一名道士，她的工作是移動冥想既是形式和道本身的分析，調查的平衡，和諧，啟蒙，意識和時間觀念，而慶祝的普通非凡。Through “li,” or “vigorous strength,”lines and forms are expressive, conveying a sense of immediacy thatunites philosophy, history, nature and mysticism.通過“禮”或“蒼勁的力量，”線條和形式表現，傳達直接的感覺，團結哲學，歷史，自然和神祕主義

亞當斯的工作由傳統的中國，日本，波斯，印度和埃及的繪畫和版畫的影響。 In addition, she finds a strong attractionto the works of Brice Marden, Wassily Kandinsky, Shiko Munakata,Franz Kline, Shitao, the German Expressionists, AbstractExpressionism and ancient cave frescoes .此外，她發現一個強大的吸引力布萊斯馬登，康定斯基，棟方誌功，弗朗茨·克萊恩，石濤，德國表現主義，抽象表現主義和古代洞穴壁畫的作品。Blending historical forms with theinundation of contemporary media, internet and pop culture, Renfollows Baudelaire's suggestion that "originality comes from theseal which time imprints on our senses." 融合了歷史形態與現代媒體，網際網路和流行文化的泛濫，任如下波德萊爾的建議，即“創意來自於密封的時間印記在我們的感官。”Each piece may draw upon the past, existin the present, and recognize the future, but it is the result ofeyes and hands affected by years of exposure to the world andinformation in a unique way. 在過去的每片可借鑑，存在於現在，並認識到未來，卻是眼睛和手受幾年接觸到的世界和資訊以獨特的方式的結果

她目前的專案相結合版畫與中國傳統的水墨畫，東方哲學，科學和考古學。 Her primary body of work (and thesis), TheArchaeology of Being, is an expansive show which discusses thenature of existence and form through experimental prints and mixedmedia. 她的工作主要機構（和論文），即考古學，是一個廣闊的展示，討論存在的本質，並通過實驗版畫及混合媒介形式。The Archaeology of Being projectculminated in a solo exhibit, thesis and a public artist talkpresented at the University of New Mexico.作為專案的考古最終在一個個展，論文和公共藝術家講座在新墨西哥大學提出。In addition to producing several newthemed series and exploring various methods of hybrid printmaking,Adams recently completed an internship at Tamarind Institute, washeavily active in the UNM print department, has participated in anumber of print exchanges and group exhibitions and recentlycompleted an honor's thesis in printmaking.除了​​生產一些新的主題系列，探索混合版畫的各種方法，亞當斯最近完成了實習機會。羅望子學院，是大量活躍在新墨西哥大學版畫系，先後參加了多項列印的交流和群展和最近完成的一項榮譽的論文版畫

最初致力於表演藝術，詩歌和人文，亞當斯接受了她的博鰲亞洲論壇在工作室藝術（版畫濃度）從新墨西哥大學，她也有一定程度的英語，在人類學未成年人。She teaches classes in art and humanitiesthrough the University of New Mexico and her privatestudio. 她通過新墨西哥大學和她的私人工作室任教班級在藝術和人文科學

亞當斯擔任公關的工廠5日藝術空間在新墨西哥州阿爾伯克基，都被她也是根據羅伯特Redus助理展協調員。She was co-founder and President of theDuke City Renegades Art Guild and founded The Wooden Cow Galleryand Art Space, a massive co-operative project.她是杜克大學城叛教者藝術協會的共同創辦人兼總裁，並創立了木牛畫廊和藝術空間，一個巨大的合作專案。Adams served as gallery President andAdvertising Director during early operations and was responsiblefor a variety of inventive fundraising techniques.亞當斯擔任畫廊總裁兼廣告總監在早期運營，並負責各種創造性的籌資技巧。Adams is a member of the Chinese BrushPainting Society of Kyoto, The Southern Graphics CouncilInternational (printmaking), and the Golden Key InternationalHonors Society. 亞當斯是京都，南顯示卡委員會國際（版畫）和金鑰匙國際榮譽協會的中國畫學會會員。She has also worked as a printer's andartist's assistant to Shaurya Kumar and completed an internship atTamarind Institute in 2011. 她還擔任過印表機和藝術家的助手ShauryaKumar和完成了實習的羅望子學院在2011年

亞當斯還曾在事件的協調和一直負責多項主題表演和展覽的建立和執行。 She has participated in several printexchanges and has given lectures, demos, and presentations onprintmaking, art and the humanities in various professionalsettings. 她曾參加過多次列印的交流，並給予講座，演示，和版畫，藝術以及各種專業設定人文介紹。Adams's work appears in a variety ofpublications, textbooks, magazines and nonfictioneditions. 亞當斯的作品出現在各種出版物，教科書，雜誌和非小說版本

亞當斯出生於1974年在洛杉磯縣，加利福尼亞州。Her parents (Rosalie Adams Rushing andCraige Adams) are also artists in the Los Angelesarea. 她的父母（羅莎莉·亞當斯沖和Craige旅遊亞當斯）也是藝術家在洛杉磯地區

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夢想與現實之間的磨合讓我讀懂很多生活的語言，風雖改變了方向，卻沒有改變我的行程-----

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